The first American McGee's Alice, released all the way back in the year 2000, was a passable platformer that was hoisted up and carried by its twisted Wonderland setting. Paint the colour of blood and dreams, but paint nonetheless. Worst of all is that exploring Wonderland is, in practice, about as full of wonder as watching paint dry. Worst of all, a massive train shaped like a cathedral on wheels is thundering through the world, leaving destruction and lakes of leathery tar in its wake. The Walrus and the Carpenter have taken to performing in a slutty undersea cabaret that hides a gory secret. The Mad Hatter's domain has become a Communist industrial complex, where giant, living, unblinking teapots have been repurposed as parts of a rickety production line.
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